While papers on all aspects of periodical studies will be considered, we are especially interested in work focused on seriality.
#Soap opera professional
We especially welcome works that focus on how professional wrestling utilizes seriality.Īs seriality is a key feature of the periodical, we welcome papers focused on periodical studies. We are interested in papers on all aspects of professional wrestling including writing about fantasy wrestling and e-federations. Professional wrestling is the storytelling medium perhaps most often compared to the “traditional” soap opera. We are also interested in papers exploring the global broadcasting and popularity of English Language soaps. We welcome studies of international forms of meditated serials, including telenovelas, Asian dramas, and more. Possible Areas of Investigation Include, but are Not Limited to the Following:įrom Days of Our Lives to Emmerdale, from Hollyoaks to Home and Away, we are interested in works on all aspects of both English language soap operas currently on the air and legacy soaps that are no longer being produced but made substantial contributions to television history. If you are interested in additional forms of participation, please email the area chair. A presenter may deliver only one formal paper at the conference but may also participate in other ways, such as chairing a panel. Please reach out to the area chair for more information on themed panels. For themed panels, each presenter must enter their own presentation. For individual papers, you will submit a title and abstract of 200-words or less. On the conference website, begin by creating an account and crafting your submission. If it encourages you to follow the story or characters into the next episode, we want to hear about it!Īll perspectives and methods of inquiry are welcome, including interdisciplinary examinations of seriality as a narrative form and considerations of its impact and usage across multiple forms of discourse. The Soap Opera and Serialized Storytelling area welcomes submissions that address soap operas, other serialized narratives that share this unique and vital structure, and cross-genre comparative work. But in other countries, soap operas can be referred to as "serials." I'm relieved to know that I'm not using an improper word for it after all.Soap operas, wrestling, periodicals, reality television, comic books, literature, video game and film franchises, vlogging, sports, advertising campaigns, and now even politics and political journalism have harnessed the power and popularity of the serialized form to build and sustain audiences in our increasingly fractured media landscape. I understand that "soap opera" is the more common and perhaps proper term in the United States.
I have a friend who gives me the hardest time for referring to soap operas as "serials." I would like to thank the author for using the phrase "serial drama" to describe a soap opera. Why is it that despite such cliched plots, we are glued to our seats when our favorite soap opera is on TV? If they are happy, I feel good and if something bad happens to them, I'm upset. In every soap opera I watch, I tend to like and support certain characters over others. I also think that most of us can find characters in soap operas that we can relate to and connect to. Otherwise, the viewer will quickly get bored. The surprise element is very important for a soap opera to do well. We are glued to our seats because we don't know what's going to happen next. So even they don't know how the plot is going to end up. Most soap operas (especially ones that last for years) are written by the writers as they go along. April 25, Like the article mentioned, as cliched as soap operas are, they're also very complex.
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